Flickomatic — The Movie Machine

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The deepest movie search there is: load the whole catalog, cut your dealbreakers — any actor, genre, or vibe— and the machine ranks what's left.

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Good Morning

TMDB7.7

1959·314 votes

A lighthearted take on director Yasujiro Ozu’s perennial theme of the challenges of intergenerational relationships, Good Morning tells the story of two young boys who stop speaking in protest after their parents refuse to buy a television set. Ozu weaves a wealth of subtle gags through a family portrait as rich as those of his dramatic films, mocking the foibles of the adult world through the eyes of his child protagonists. Shot in stunning color and set in a suburb of Tokyo where housewives gossip about the neighbors’ new washing machine and unemployed husbands look for work as door-to-door salesmen, this charming comedy refashions Ozu’s own silent classic I Was Born, But . . . to gently satirize consumerism in postwar Japan.

Street of Shame

TMDB7.7

1956·151 votes

Follows five sex workers employed at a Japanese brothel while the nation debates the passage of an anti-prostitution law.

The Life of Oharu

TMDB7.7

1952·195 votes

During the Edo Period, a noblewoman's banishment for her love affair with a lowly page signals the beginning of her inexorable fall.

Late Autumn

TMDB7.7

1960·175 votes

A woman and her daughter are each forced to contend with an increasing pressure to marry, particularly from three men who knew her late husband.

When a Woman Ascends the Stairs

TMDB8.0

1960·127 votes

Keiko, whom everyone calls Mama, narrates her story: she's a hostess on the Ginza, 30, a widow. She describes life's vicious cycle: acting cheerful around drunks, dressing and living well to convey confidence, needing money for these expenses and for her demanding mother and brother, and knowing she's growing older.